![]() ![]() The 5D Mark IV is not a good low-light camera, but with Denoiser III, instead of having a maximum ISO of 1600 before noise became an issue, we were able remove noise all the way up to ISO 6400. When applying Denoiser III to Sony a7RIII and Canon 5D Mark IV footage, they both benefited. If you would like to watch the full screen version of this film, you can see it here: vimeo.As we stated before, with Denoiser III, you can gain up to three more stops without having to worry about noise. ![]() If you can spot glarring errors in what I am doing, please let me know! While I have now graded several of my films using these techniques, I still consider I am very much a novice at this. ![]() One series in particular that makes very good watching if you are wanting to learn more is: /articles/devis_andrew/ These are all tools and techniques that I have learned from watching others on Vimeo and elsewhere on the net give their demonstrations of these capabilities. Occasional use of the Neat Video noise reduction plugin Extensive use of the Mercalli V2 plugin (I normally dont use it much - but wanted to push it this time to see how noticable the artifacts are)Ħ. Use of the "Three Way Colour Corrector" in secondary correction mode often going to work on the blown out highlights that seem to be the hallmark of this camera.ĥ. Use of the Fast Colour Corrector for primary colour and level correctionĤ. ![]() additional masks using the 8 point garbage matt+edge blur functionsģ. additional masks using the Circle functionĢ. I havent yet graduated to After Effects or Magic Bullet Looks (to name a few that I would like to experiment with) so this is all done native in Premiere.ġ. This film is shows how I graded raw footage from an old Panasonic GS500 camcorder and used various techniques all available either native in Adobe Premiere CS5 or via two plugins I added to the system, namely "Neat Video" noise reduction and ProDAD's Mercalli V2 64bit stabilisation plugin. ![]()
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